With eclectic instrumentals across 19 tracks, the self-proclaimed hip-hop Madonna’s latest mixtape is her most ambitious but flawed project yet.
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Omar Apollo breaks his own heart open for his sophomore record God Said No, “Drifting” through the confusing, consuming, and frustrating stages of grief.
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In a surprise double album release, the genre-defying, economy-defining songstress returns with her eleventh studio album as Chairwoman of THE TORTURED POETS DEPARTMENT. Full of artistic allusions and recycled themes, Swift dwells in unreality and chooses her relationship with the media as the anthology’s most pressing matter.
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Maggie Rogers wrote her newest album, Don’t Forget Me, in 5 days, yet it feels like the grandest statement of her career thus far.
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On Instagram, Beyoncé declared, “This ain't a Country album. This is a Beyoncé album,” and she delivered on that promise. A massive 27-track record, COWBOY CARTER touches on family, religion, romance, adultery, America’s shortfalls, and Beyoncé’s reputation, backed by swarths of eclectic instrumentals from twanging banjos and fiddles.
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Conan Gray swung big with his third record, Found Heaven, introducing a Swedish production team and nostalgic ’80s flair. The Texan singer-songwriter’s grand experiment is definitely enticing, but feels like it’s still waiting to be “Found.”
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Puerto Rico’s latest trap star dials back the braggadocious tone of her SoundCloud days to deliver sincere lo-fi tracks on her debut album.
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Bright Future depicts Adrianne Lenker at a new level of vulnerability. With stripped instrumentals and more simplistic lyrics, she demands for her tender introspections about love and vastness to be heard.
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Swathed in shades of cerulean, Faye Webster embraces feeling blue as she mixes heartache and dissatisfaction with comedy on her fifth studio album, Underdressed at the Symphony.
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Declan McKenna’s third project What Happened to the Beach explores the artist’s inner cosmonaut in a stunning, cosmic soundscape.
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On Usher's ninth studio album, he returns to R&B ahead of the Superbowl with his first release in over eight years.
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Take a look at some of the best albums of the past year, hand-picked by the Afterglow Editorial Staff.
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Eccentric Irish cowgirl CMAT lets her past demons run free and throw a heartbroken hoedown in her sophomore album, Crazymad, For Me.
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Doja Cat has been a controversial figure for the better part of 2023, continuously attacking her supposed fans and vitriolically acting out. The real question is, is Doja Cat’s casually cruel nature worth the heat that Scarlet brings?
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Eartheater melds trip-hop beats with baroque instrumentals to create her most sonically arresting, yet thematically lacking, album yet.
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The candid rapper undergoes a four-part transformation on her first full-length album.
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Coming out of the lavender haze of Midnights, Taylor Swift breathes new life into one of her oldest and most underrated records, Speak Now.
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Reckoning with regret, isolation, and the apocalypse, Fall Out Boy sounds more united than ever on their first album in five years.
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