Supported by Kill Alters and Snõõper, Machine Girl captivated Emo’s on Nov. 14 with a fusion of dark ambient sounds, punk chants, and electric notes, leaving the Austin crowd feeling anything but “Half Asleep.”
Read More
On the day of its fifth studio album release, State Champs delivered pop-punk heat to Austin, kicking off its self-titled tour with help from openers Daisy Grenade, Meet Me @ The Altar, and Knuckle Puck on Nov. 8.
Read More
Although their set was cut short due to poor weather conditions, Mannequin Pussy couldn’t have thundered harder at their sold-out show on April 20.
Read More
With twee’s recent resurgence online, it’s time to look past the ballet flats and Peter Pan collars to appreciate this aesthetic’s original fashion inspirations and roots in rebellion.
Read More
Greta Kline explores love and introspection in her second project as Frankie Cosmos. Taking inspiration from her Bandcamp roots, the joyful melodies, DIY sound, and short song lengths of Next Thing leave room for listeners to find comfort in the music’s raw vulnerability.
Read More
From nostalgic 2010s indie tracks to jarring classical concertos, the soundtrack to season one of Netflix’s hit series “Russian Doll” has captivated audiences and captured the essence of chaos through its eclectic music mix.
Read More
Swathed in shades of cerulean, Faye Webster embraces feeling blue as she mixes heartache and dissatisfaction with comedy on her fifth studio album, Underdressed at the Symphony.
Read More
Mort Garson’s album Mother Earth’s Plantasia is a cult classic for synthesizer and plant aficionados everywhere.
Read More
Ezra Furman takes the listener on a journey of biblical proportions with angels and self-discovery. A spin on the classic American road trip, Transangelic Exodus, chronicles Furman’s imaginary journey from conformity to gender and sexual euphoria.
Read More