With twee’s recent resurgence online, it’s time to look past the ballet flats and Peter Pan collars to appreciate this aesthetic’s original fashion inspirations and roots in rebellion.
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Puerto Rico’s latest trap star dials back the braggadocious tone of her SoundCloud days to deliver sincere lo-fi tracks on her debut album.
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Known for its fragmented construction and grave content, “The Waste Land” may seem inaccessible to casual readers. However, it transforms into a timeless beacon of despair when paired with contemporary songs about desolation and disillusionment.
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Intimate folk tunes filled ACL Live at 3TEN on April 5 as Jonah Kagen brought the intimate “Save My Soul” tour with opener Vincent Lima.
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Almost a year before the COVID-19 outbreak, the release of Titanic Rising foreshadowed themes of irreversible change and doom. But upon further listen, Weyes Blood’s real triumph is her capacity to offer a stern yet considerate critique on humanity’s hand in upending their own home.
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At the end of each month, Afterglow presents a staff-picked list of new albums and singles that left a lasting impression on our ears.
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Alternative icons of decades past, Portishead and bôa, excelled at playing with vocal range and befitting soundscapes for timeless tunes for the lonely and spiteful.
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Multimedia staffer Baylee Rosado explores the recent resurgence of vinyl, and what the Austin vinyl scene looks like as a result.
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Teddy Swims brought his “I’ve Tried Everything But Therapy” tour to Stubb’s on March 30.
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Alt-pop artist Chelsea Cutler performed at Stubb’s Waller Creek Amphitheater on March 28 with support from Yoke Lore.
Bright Future depicts Adrianne Lenker at a new level of vulnerability. With stripped instrumentals and more simplistic lyrics, she demands for her tender introspections about love and vastness to be heard.
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Austin Samba, a local band and dance group, encourages beginners to learn the foundations of the genre, teaching locals about Brazilian culture through performances all across Austin.
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Megan Thee Stallion’s recent two singles create a satisfying duology: With “Cobra,” thee Stallion of rap reflects on her past pain before using that very anguish in follow-up “Hiss” to warn those praying on her downfall that, through the hurt, she is back and ready to not only kick ass but take names.
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UMG’s removal of their songs on TikTok shows a shift in the relationship between social media sites and major labels.
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During its peak, the SoundCloud rap era was a force in Hip-hop, with gritty lo-fi production, multi-genre lyricism, and DIY bedroom productions. However, rappers often reinforced misogyny in their lyrics and downplayed the severity of accusations of sexual violence.
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Mellow in your melancholy with these bittersweet tunes to soundtrack a gloomy weather stroll or a cozy night in.
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Indie-folk trio Tiny Habits performed at Antone’s Nightclub on March 24 with support from emerging indie-pop act Beane.
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The Rocket Summer, with support from Prentiss, brought his “Celebrating 20 Years of Calendar Days” tour to Austin’s 3TEN ACL Live on March 24 .
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