On April 18, C3 concerts and Amplify Austin put on an electric concert benefiting the #ILiveHereIGiveHere movement. Profits from ticket sales went toward Amplify Austin and the 700+ nonprofits they promote.
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MAGCON, otherwise known for its live thirst-trapping, was responsible for a number of extremely popular male internet personalities. As their audiences grew, many of the MAGCON boys turned to singing. However, as of 2024, only one is widely established within the music industry. Why did Shawn Mendes’ career take off where others’ failed?
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Maggie Rogers wrote her newest album, Don’t Forget Me, in 5 days, yet it feels like the grandest statement of her career thus far.
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In honor of Madonna coming to Austin for her “The Celebration” tour, Afterglow photographer Mackenzie Coleman captured students in outfits resembling the pop star’s iconic looks from the 1980s to the 2000s.
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Indie-rock band The Strumbellas performed at Scoot Inn on April 12 with support from Certainly So.
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Dev Patel’s directorial debut is chock full of violence and vindication; but, amongst its critiques of casteism and Hindu nationalism, “Monkey Man” showcases a deep respect for and understanding of India’s gender non-conforming communities through a traditional musical tie-in.
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Crafted from the minds of Dan Barrett and Tim Macuga as a debut for their band Have a Nice Life, Deathconciousness illustrates the obscure and elusive fact of death and the varying sentiments that accompany it.
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Kicking off their “Only God Was Above Us” tour, Vampire Weekend performed at Moody Amphitheater — during the total solar eclipse — on April 8.
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On Instagram, Beyoncé declared, “This ain't a Country album. This is a Beyoncé album,” and she delivered on that promise. A massive 27-track record, COWBOY CARTER touches on family, religion, romance, adultery, America’s shortfalls, and Beyoncé’s reputation, backed by swarths of eclectic instrumentals from twanging banjos and fiddles.
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Conan Gray swung big with his third record, Found Heaven, introducing a Swedish production team and nostalgic ’80s flair. The Texan singer-songwriter’s grand experiment is definitely enticing, but feels like it’s still waiting to be “Found.”
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With twee’s recent resurgence online, it’s time to look past the ballet flats and Peter Pan collars to appreciate this aesthetic’s original fashion inspirations and roots in rebellion.
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Puerto Rico’s latest trap star dials back the braggadocious tone of her SoundCloud days to deliver sincere lo-fi tracks on her debut album.
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Known for its fragmented construction and grave content, “The Waste Land” may seem inaccessible to casual readers. However, it transforms into a timeless beacon of despair when paired with contemporary songs about desolation and disillusionment.
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Intimate folk tunes filled ACL Live at 3TEN on April 5 as Jonah Kagen brought the intimate “Save My Soul” tour with opener Vincent Lima.
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Almost a year before the COVID-19 outbreak, the release of Titanic Rising foreshadowed themes of irreversible change and doom. But upon further listen, Weyes Blood’s real triumph is her capacity to offer a stern yet considerate critique on humanity’s hand in upending their own home.
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At the end of each month, Afterglow presents a staff-picked list of new albums and singles that left a lasting impression on our ears.
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Alternative icons of decades past, Portishead and bôa, excelled at playing with vocal range and befitting soundscapes for timeless tunes for the lonely and spiteful.
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Multimedia staffer Baylee Rosado explores the recent resurgence of vinyl, and what the Austin vinyl scene looks like as a result.
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